Blue Poles, Pollock, 1952

The True Value of Abstract Art

Judith Slaying Holofernes, version no. 2, Artemisia Gentileschi, 1614–1621; an example of chiaroscuro and self-insertion of the artist in a depiction of a Biblical scene.
After Luncheon, Morisot, 1881
Roots, Kahlo, 1943
№61 (Rust and Blue), Rothko, 1953
Gotham Jubilee, Ruairiadh O’Connell, 2019
Can you honestly say this abstract piece depicts the fullness of lived human experience

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